royal college of music julian lloyd webber

When Julian went back to the UK, they kept in touch by phone and email, although the time difference made it difficult. “We had time for some long conversations that day and everything felt really comfortable,” recalls Jiaxin. He invited her to his concert the next day instead, in a city more than an hour away, and she offered to drive them there in a hire car. Unfortunately, the car in front braked suddenly and I ran straight into the back of it.” She arrived late, and met Julian as he was leaving the stage door. “There was a track I thought was really lovely and I looked down at the CD cover to see what it was. He had given her his new CD, Unexpected Songs, which she had been listening to in the car on the way. Again, Jiaxin met him after his rehearsal, and he invited her to the concert. It had been, he says, “a very difficult time for me” (his third marriage was breaking up). The next time they met, in 2006, on Julian’s last tour of New Zealand, was “when something really started to click,” he says. “Being a cellist herself, she was very helpful, and I was able to get a good recording.” “At rehearsal, the sound wasn’t good and I asked Jiaxin if she could come and listen,” says Julian. By then, Jiaxin had graduated and was playing in the Auckland Philharmonia and the New Zealand Symphony Orchestra. Julian got her email address, and contacted her two years later when he was on tour in the country again to ask if she was still in New Zealand, adding that he might need her technical help with a concert that was going to be broadcast. “Our teacher took us backstage to say hello,” she says. Born in China, Jiaxin had graduated from the Shanghai Conservatory of Music, and was doing a master’s degree at Auckland University. The first time, in 2000, Julian, the celebrated cellist, was on tour in New Zealand, and Jiaxin was one of a number of music students invited to hear him rehearse. He said it was also important that the hall was equally accessible to every London orchestra, those outside the capital and overseas, rather than providing an exclusive home for the LSO at the Barbican.I t wasn’t until the third time Julian Lloyd Webber and Jiaxin Cheng met that the idea of a romantic relationship seemed a possibility. Mr Rose said the Museum of London site wouldn’t be his first choice for the new venue, citing a lack of prominence and access issues as two important negatives. While the RFH’s design prioritised sight lines, the new hall’s design would emphasise acoustics, absorbing its audience in “an all-enveloping sound”. “To be a great acoustic it needs to be tight in the girth and tall,” he said. But a new hall would cater for smaller audiences (somewhere between 1,800 and 1,950 people) and provide optimal natural acoustics for orchestral and choral music. Speaking as a trustee of the London-based New Queen’s Hall Orchestra – one of the interested parties consulted for the feasibility study – Mr Rose said London’s existing concert halls were not optimised for orchestral music.įor example, the Royal Festival Hall at the Southbank Centre is an excellent venue for large audiences and amplified music, he said.

“We welcome the debate around what a performance and education facility for the digital age could provide future generations. “These are issues to which Sir Simon Rattle, the Barbican, the London Symphony Orchestra and the Guildhall School of Music and Drama are passionately committed, and any proposals for a Centre for Music will be dedicated to addressing them,” they said in a statement. Responding to these criticisms, Sir Nicholas Kenyon and Kathryn McDowell, the managing directors of respectively the Barbican and the London Symphony Orchestra, said it was right to “stress the importance of providing high quality music education and creating the music audiences of the future”. We are going to build this fantastic hall and who is going to fill it?” “The halls are already adequate and it’s about music, not buildings. “I wouldn’t build a brick of it to be honest,” he said. Professor Lloyd Webber called the proposed building a “grand gesture concert hall”. Indyplus video: Julian Lloyd Webber's In Harmony set to debut at the.Julian Lloyd Webber: I'm doing a Dudamel over here.Julian Lloyd Webber announces shock retirement over slipped disc.

Royal college of music julian lloyd webber